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In coldest crucible of pain Her shrinking flesh was fired And smoothed into a finer grain To make it more desiredShe did this, according to Farr, as as practitioner of what might be called the classical lyric its subjects, love, death and nature; its manner, direct and melodious, consciously graceful and witty.***Although my meteorite metaphor may make it sound as if we are victims of random bombardment, I dont mean to suggest that we willingly accrete just any old mannerism into our spheres surfacewe are very selective, usually borrowing traits that we admire or covetbut even our style of selectivity is itself influenced over the years by what we have turned into as a result of our repeated accretionsCynical types speculated that Wylie might have had mercenary rather than romantic motives for marrying a man who shepherded her work into print
Biographer Stanley Olson, who calls his subject by her first name throughout Elinor Wylie: A Life Apart, sums up critical response to Wylies Nets to Catch the Wind (1921) by observing: The technical precision was widely admired, indeed, accused of being too fluentRelated to this is Wylies extensive allusiveness and historical knowledge, which might not appeal to modern readers less familiar with Milton, Donne, Keats or Shelley especially Shelley or less intrigued by the eighteenth- and early nineteenth-century settings of her novelsIn Malediction upon Myself from Trivial Breath the poet says she should lose both her own beauty and her ability to evoke it via her finger ends should she ever deny beautys presence even among urban filthJames, for instance, especially prizes poems that lend themselves to memorization and recitationFar greater than his physical infirmity is a character weakness for which poetic talent and a romantic temperament cant compensateI remembered Simon and Garfunkel singing those lyrics as I recently read Douglas Hofstadters latest book, I Am a Strange Loop
While brilliant metaphors, feats of imagery, and lengthy description abound in the novel, they stand in the place of eventsPeople and animals die, and pretty things deteriorate, but something of that incorruptible silver somehow always shines through in Wylies worldNot only does one suggest the other, the carving of great antiquity takes the place of the one Poynyard never picked up from the Parisian painterRather than illuminating Wylies work, such biographical criticism leads it further into the dark as scholars get lost in the hedge works of their own constructionDuring her lifetime, Wylies won esteem from writers who ultimately maintained fame far longer than she didFrom the moment of my birth To the instant of my death, There are Patterns I must follow Just as I must breathe each breathFarr calls one poem probably autobiographical, as if that explains anything about the poem
Yet in Speed the Parting, she counters: How dingy a thing is fear, / And sorrow, how dull to cherish! In Minotaur she disdains delicate filigree and the over-fine It was distributed by the Book-of-the-Month ClubAs soon as it does this, it feeds the results back through the loop to create even more associationsThey contend that her turbulent life story interferes with serious consideration of her writing, yet insist the two cannot be separatedElaine Showalter slots her firmly among the lesser poets 2ffeafca65
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